Dartmouth College '17
Kathryn Conroy Programming Intern
Being present with these works of art is a profound, even spiritual experience for me. It inspires in me a space for meditation and self-reflection, and leaves me feeling centered, especially at times when I have felt that I had lost some sense of essential internal peace and balance. Through this exhibition, I wanted to explore those feelings and try to understand how visual elements and relationships can evoke such a strong response. I believe that the practice of focusing on relationships, connection, and unity in the world around us can be beneficial for all, and it is my hope that viewing these familiar works of art from the perspective of balance will embody that idea.
Producing this virtual exhibition has been a fantastic learning experience at every step of the way, perfectly aligned with my academic and aesthetic interests in modern and contemporary abstract art, as well as my hopes for a future career in museum work. I have discovered so much about these great artists and the true value of their work, while learning about the process of organizing an exhibition, and the possibilities and challenges of creating an experience of visual art in an online space. I am deeply grateful to the Hood for the unique opportunity to develop this project in addition to my Programming internship, and to all members of the staff for their generous support throughout the process.
I hope you enjoy.
Batchelor, David. “The Spectrum, and Other Colors.” In Ellsworth Kelly: Spectrums 1953–1972. New York: Mitchell-Innes & Nash in collaboration with Matthew Marks Gallery, 1999.
Baume, Nicholas. Sol LeWitt: Structures, 1965–2005. New Haven: Yale University Press, 2012.
Calder, Alexander, and Jean Davidson. An Autobiography with Pictures. New York: Pantheon Books, 1977.
Cross, Susan M., and Denise Markonish. Sol LeWitt: 100 Views. North Adams, MA: MASS MoCA, 2009.
Foster, Hal. “To Support.” In Richard Serra: Early Work. New York: David Zwirner, 2013.
Gedeon, Lucinda H., Valerie J. Fletcher, and Philip Rickey. George Rickey, Kinetic Sculpture: A Retrospective. Vero Beach, FL: Vero Beach Museum of Art, 2007.
Giménez, Carmen. Richard Serra: the Matter of Time. Bilbao: Guggenheim Museum Bilbao, 2005.
Glimcher, Mildred, and Alexander Calder. Alexander Calder: The 50s. New York: PaceWildenstein, 1995.
Haags Gemeentemuseum. Sol LeWitt: Haags Gemeentemuseum. The Hague: Haags Gemeentemuseum, 1970.
LeWitt, Sol, Pamela M. Lee, Nicholas Baume, and Jonathan Flatley. Sol LeWitt: Incomplete Open Cubes. Hartford, CT: Wadsworth Atheneum Museum of Art, 2001.
Maxwell Davidson Gallery. George Rickey: November 11 to December 13, 1980. New York: Maxwell Davidson Gallery, 1980.
McShine, Kynaston, Lynne Cooke, and Richard Serra. Richard Serra Sculpture: Forty Years. New York: Museum of Modern Art, 2007.
Pacquement, Alfred. Richard Serra. Doha: Qatar Museums Authority, 2014.
Pierre, Arnauld. Motion-Emotion: The Art of Alexander Calder. New York: O’Hara Gallery, 2000.
Reynolds, Jock. Joel Shapiro: Sculpture in Clay, Plaster, Wood, Iron, and Bronze, 1971–1997. Andover, MA: Addison Gallery of American Art, 1998.
Rose, Barbara, and Ellsworth Kelly. Schilderijen en beelden 1963–1979 (Paintings and Sculptures 1963–1979). Amsterdam: Stedelijk Museum, 1979.
Rosenthal, Nan, and George Rickey. George Rickey. New York: Harry N. Abrams, 1977.
Sartre, Jean-Paul, and Alexander Calder. Alexander Calder. New York: Buchholz Gallery, 1947.
Shapiro, Joel, Richard Marshall, and Roberta Smith. Joel Shapiro. New York: Whitney Museum of American Art, 1982.
Solomon R. Guggenheim Museum. Alexander Calder: A Retrospective Exhibition. New York: Solomon R. Guggenheim Museum and Musée National d’Art Moderne, 1964.
Turrell, Julia B. Joel Shapiro: Tracing the Figure. Iowa: Des Moines Art Center, 1990.
Waldman, Diane, and Ellsworth Kelly. Ellsworth Kelly: A Retrospective. New York: Solomon R. Guggenheim Museum, 1996.
Weigel, Viola, Gottfried Boehm, and Ellsworth Kelly. Ellsworth Kelly: Zwischen-Räume : Werke 1956–2002 (In-Between Spaces: Works 1956–2002). Ostfildern-Ruit: Hatje Cantz, 2002.
The Calder Foundation — Alexander Calder
Matthew Marks Gallery — Ellsworth Kelly
Pace Gallery — Sol LeWitt
Marlborough Gallery — George Rickey
Gagosian Gallery — Richard Serra
Pace Gallery — Joel Shapiro